Highlights of SUMMER 2012

JUNE 2012
Documenta 13
7 – 9 June,
Kassel, Germany
This is the third, maybe fourth time John and I have been to Documenta, we went for the preview days this year and it was nice to have Sally join us.
Kunsthalle Fridericianum
documenta
signage
Signage at Documenta 13

Here are some of my favourite works…

Charlotte Salomon, 1917-1943,
Life? or Theatre? A Play with Music, 1941
A Jewish German artist, Salomon was murdered in Auschwitz in 1943, aged 26 and five months pregnant. she created a biographical cycle of text and images when she fled to France and lived there between 1941 and 1942. During that time she created 1,325 gouaches using only primary colours. From these she selected 769 to comprise this work, that was first exhibited in 1961. It is significant for daring to mix the political history with personal memory, the public with the domestic, with attention to the experience of women.
charlotte_salomoncharlotte_salomon_2
Ida Applebroog b.1929
“At the center of Ida Applebroog’s work stands the human figure, with all its neuroses and complexities.” (Documenta 13 Catalogue, 2012)
A New York artist whose work has focused on the domestic and the everyday. The space at Documenta was filled with printed reproductions of her private notes, including posters for the audience to take. The material is from files that she has not looked at for about 40 years. 
Massimo Bartolini b.1962
Untitled, (Wave), 1997-2002
There was something contemplative and surprising for me as a viewer about this work. His work is about questioning our assumptions about the physical certainties of environments.
Geoffrey Farmer, b. 1967
This was the work we all agreed on as good!geoffrey_farmer_1
It was a massive installation of images from places like Life magazine, reflecting a pre internet time when magazines were relied upon for visual references for fashion, lifestyle and news.geoffrey_farmer_detail

During our time looking around we developed the
Plowman system for the categorisation of good art
To be great, an artwork needs to gain top marks in the following categories:
*Skill
*Memorable
*Popular with a wide audience
*A good idea behind it (ie beyond the wow factor)
*Personal opinion
PLOWMAN’S LUNCH
22 June 2012, Beacon Art Project
Visibility and Invisibility: Audience, Artist and Curator
Reading Room & Chapel, High Street, Wellingore, Lincoln LN5 0HW

Food, conversation and debate were shared with guest speakers Penelope Curtis, Director of Tate Britain and Alfredo Cramerotti, Director of Mostyn, Wales. The programme for the day was structured around the lunch with questions before and answers after, incorporating contributions from two artists previously commissioned by Beacon, Doug Fishbone and Kelly Large.
plowmans
HOP FARM 
30 June, 2012
A family visit to the farm. What a line up with Patty Smith and Bob Dylan…oh and Bruce Forsyth And the only hot sunny day this year.hopfarm1hop_farm_3bruce_forsythhop_farm_2

JULY 2012
TORONTO

A most wonderful and stimulating visit to Toronto, where I spent a week or so being completely inspired. I finally got to meet artist Plum Johnson who has been a great influence for me through her work across the pond since 2007. I  also met her highly talented daughter artist Virginia Johnson and we visited her beautiful shop. Her tote bags had just appeared in the film, ‘Take This Waltz’, hence the window display. Here are shots of the shop interior, the cover of ‘The Perfectly Imperfect Home’ by Deborah Needleman illlustrated with the most exquisite watercolours by Virginia, a close up of the tote bag and a
smiley mother daughter shot.
virginia_johnson_1virginia_johnson_2virginia_johnson_4virginia_johnson_5virginia_johnson_3
Third International Graphic Medicine
Conference, Toronto
Comics and Medicine: Navigating the Margins
22 – 24 July, 2012
My reason for traveling over to Canada was to participate in this conference. The graphic medicine conferences are like nothing else! (in a good way). They manage a unique combination of creators, academics and medical professions, meaning there is never a dull moment.

I was on a panel talking about why older women are making comics works about experiences they had when they were younger with artist Sarah Lightman; Rosalind B. Penfold, author of ‘Dragon Slippers’ about domestic violence; Sandra Lundy who has drawn about infertility issues in her cartoon strip, ‘Between Friends‘ and Lesley Fairfiield author of ‘Tyranny’ about anorexia.

The Toronto Globe and Mail did a write up about us. Read it here

During the conference I took part in a Radio discussion on CBC Radio about comics and medicine with conference organisers and artists, Shelley Wall and Ian Williams listen to it here (start listening at 1hr09m)

At the end of the conference there was an evaluation session.
Here from left to right are some of the organising committee: MK Cerwiek (in the white shirt), Brian Fies, author of ‘Mom’s Cancer’, Michael Green, Susan Squier and Ian Williams (gesticulating). Sitting with the hat is Joyce Farmer, who gave the keynote and is the author of ‘Special Exits’. On the right side is Riva Lehrer who is an artist. The conference opened with a short film about a painting collaboration she did with Alison Bechdel.
graphic_medicine

AUGUST 2012
STEEP HILL, LINCOLN
I was commissioned by Lincoln Business Improvement Group to produce an illustration of Lincoln Steep Hill, to celebrate it winning Britain’s great street this year.

EDINBURGH FESTIVAL
John and  I went up for a couple of days, because I did a talk at Word Power Books with fellow Myriad Editions graphic novelist Nye Wright, author of ‘Things to do in a Retirement Home Trailer Park when you’re 29 and unemployed’.

So we experienced the festival a bit. We saw Josie Long who was brilliantly funny and I was interested to pick up a zine after her gig.

And we got to see art. It was a chance to see Martin Creed’s public art commission from 2011, where he transformed Scotsman Steps which connect North Bridge and Market Street by replacing them with marble. It’s really my favourite kind of public art. I think for me it scored highly in the Plowman categorisation system!
martin-creed-work-no-10592011_big

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